QUESTION 60It paints an all to real picture of an artist who struggles between the two l

QUESTION 60It paints an all to real picture of an artist who struggles between the two lives of an artist as In this eagerly anticipated memoir, Couric (b. 1957) transforms the events of her long, illustrious career into an immensely readable story?a legacy-preserving exercise, for sure, yet judiciously polished and insightful, several notches above the fray of typical celebrity memoirs. The narrative unfolds through a series of lean chapters as she recounts the many career ascendency steps that led to her massively successful run on the Today Show and comparably disappointing stints as CBS Evening News anchor, talk show host, and Yahoo’s Global News Anchor. On the personal front, the author is candid in her recollections about her midlife adventures in the dating scene and deeply sorrowful and affecting regarding the experience of losing her husband to colon cancer as well as the deaths of other beloved family members, including her sister and parents. Throughout, Couric maintains a sharp yet cool-headed perspective on the broadcast news industry and its many outsized personalities and even how her celebrated role has diminished in recent years. “It’s AN ADJUSTMENT when the white-hot spotlight moves on,” she writes. “The ego gratification of being the It girl is intoxicating (toxic being the root of the word). When that starts to fade, it takes some getting used to?at least it did for me.” Readers who can recall when network news coverage and morning shows were not only relevant, but powerfully influential forces will be particularly drawn to Couric’s insights as she tracks how the media has evolved over recent decades and reflects on the negative effects of the increasing shift away from reliable sources of informed news coverage. The author also discusses recent important cultural and social revolutions, casting light on issues of race and sexual orientation, sexism, and the predatory behavior that led to the #MeToo movement. In that vein, she expresses her disillusionment with former co-host and friend Matt Lauer.businessman and of an artist in pursuit art for arts sake. It will make you cringe at both. the story gets a bit petty at times but its like listening to podcast rather than reading about a life, he doesnt spend a lot of time setting up the story he just gets to it, leaving it up to you to chooses how to “My hope is, as with all my work, that this book will be something people find uplifting,” writes Lurie?but by the time he titled this memoir, he likely realized that it had become a compendium of the bones he has to pick with the army of people who have wronged him. The story begins well, as the author wryly details his youth in Worcester and his early years in New York City. He was a major player in the artistically charged, drug-addled 1980s downtown scene, where all the painters had bands and all the musicians made movies. It is around this point that, despite many avowals?”I have been kind to some people who, years later, when I was in trouble, were heinous to me”?the author sheds the kid gloves. Halfway through, “The World’s Longest Footnote” introduces his beef that he is being “disappeared” from the story of his friend Jean-Michel Basquiat and identifies his nemesis, Jim Jarmusch. Though he didn’t mean to “slag Jim off,” he writes, “I feel like I have to hurry up and get this book published before Jim Jarmusch gets hold of it and puts it out as his own memoir.” From there, Lurie delves into the pitfalls of the touring musician (“I really do remember every bad gig we ever did, and nine out of ten times it was caused by not being able to hear ourselves onstage”), the nightmare of mixing albums, and the difficulties of acting. Of Willem Dafoe: “He never complained, which is something that is completely beyond me.” On Page 306, he issues a warning to readers: “if this shit bugs you, you may skip to the next chapter.” He wisely cuts off the story sometime in the 1990s. Thankfully, the author’s self-aware humor makes the bone-picking bearable.feel. At times I found him repulsive and ignorant other times I was cheering him on. Ultimately the story is about the pure tone of a single note and his love of capturing it on record. IMany memoirs I’ve read tell their story through a filtered lens. I imagine it’s how we would like the world to see us, from our own view of our life, the fist person narrative. What John Lurie does in this powerful portrait of his life, as an artist, as a musician, as a man, a brother, a human on earth, just trying to live a life that is authentic and curious and unapologetic offers an unfiltered , raw expression of his truth and experience.. He is hugely generous, He writes with skill and heart. His story is both incredibly heartwarming and funny, even in the dark sordid moments. This is a brave venture, beautifully written, expertly crafted and gives one a visceral experience of the art scene in NYC in the 80’s. Get this book.Oxytocin (Pitocin)        Methylergonovine maleate (methergine)        Misoprostol (cytotec)         Hermabate (carboprost)                                                     If you are of a certain age (John Lurie was born in 1952) you probably, at one time wanted to be John Lurie. After reading his memoir The History Of Bones, maybe not so much. At differing times in his life he has been a musician, bandleader, painter, actor, director, producer, and film composer. It might be safe to say that Lurie himself also wanted to be The John Lurie, but now not so much. This book, an account of his rise and fall, and rise again, and fall again, could have been subtitled with the mashup of David Bowie and an Edwin Starr’s Motown song: Fame huh/what is it good for?Absolutely nothing/say it again.Born in Minneapolis to an American father and a Welch mother, Lurie’s story begins in Worcester, Massachusetts where he describes himself as “strange and skinny.” When Lurie was 17, his father died and he and his brother became like feral animals. Lurie was a self-taught artist and musician, and more important to our story, he was a spiritual seeker. Even if the religious traditions he employed were found objects mixed with copious amounts of drugs, but as Lurie says, “Unless you are Rumi or Lao?tzu, descriptions of the journey of the spirit perhaps should be left alone.” You probably guessed it, he can’t.Fast forward to June 4, 1979, The Lounge Lizards first gig. That name of his band The Lounge Lizards was a mistake that would mark him and revisit Lurie throughout his career. Once when asked what kind of music the band played, he flippantly said, “fake jazz.” Not the right answer in a time when conservatory trained Brooks Brothers suits wearing Neocon jazz musicians would be dominating the record sales and music press. Note to today’s silly-named bands like GoGo Penguin and Snarky Puppy, things won’t end well. Lurie wanted to be considered a serious jazz musician, but that name and movie star fame seemed to always get in the way, but we’ll get to that later. The original Lounge Lizards were John (saxophone), Evan Lurie (piano), Arto Lindsay (guitar), Steve Piccolo (bass), and Anton Fier (drums). Their music was born in the No Wave era where seemingly every creative person in New York’s East Village had a band. The Lizards performed alongside groups like Teenage Jesus And The Jerks, DNA, and Theoretical Girls. Lurie notes that his North Star was John Coltrane, meaning he was serious about his music. But there was always that name and the scene and of course, no money.So what happens? He meets filmmaker, better yet film student Jim Jarmusch. Soon he is involved in creating the story and then starring in Jarmusch’s film Stranger Than Paradise (1984) and Down By Law (1986). Fame is his. Not gained through music, but film. At the same time he become close friends with the meteor that would become Jean-Michel Basquiat. The painter would become Lurie’s best friend, painting partner, and antagonist. If by ‘antagonist,’ we mean a good thing. Basquiat and Jarmusch would become superstars in the art world and, by Lurie’s account, treat him poorly. The book sometime reads like The Andy Warhol Diaries (1989) with Lurie describing encounters with among others, Debbie Harry, Madonna, David Byrne, Wim Wenders, Werner Herzog, Willem Dafoe, and Warhol. He even has an incident in a restaurant with Donald Trump! Although is fame came about from film, Lurie’s ambition was music. During Lounge Lizards’ tours, journalists frequently wanted to interview him about Hollywood instead of the band’s latest release. The burden of fame almost became too much. Ok, it was too much. It was as addictive as the heroin, cocaine, and sex he describes in the book. India not only has a great role to play as a supplier of herbal products for the domestic market, but it can also benefit from the tremendous potential afforded by overseas markets. Currently, the Indian herbal market is valued at 70 billion Rs., and over 36 billion Rs. worth of raw herbal materials and herbal products is exported [106]. The export of crude herbal extracts amounted to US $80 million, and the total sales of herbal products added up to US $1 billion [107]. Among the exported herbal products, 60% are processed plant materials that are unique to India, 30% are plant extracts, and 10% are Ayurvedic preparations [108]. The plant-derived pharmaceuticals exported from India include isabgol, opium alkaloids, senna derivatives, vinca extract, cinchona alkaloids, ipecac root alkaloids, solasodine, diosgenin/16DPA, menthol, gudmar herb, mehdi leaves, papian, rauwolfia guar gum, jasmine oil, agar wood oil, and sandal wood oil [109]. However, the export of 29 medicinal plants, including plant parts and their derivatives/extracts, obtained from wild sources, is prohibited by the Indian government [109]. Indian herbal medicine has now become a rich source of innovative drug discovery?  List six (6) examples of behaviors of concern that you may need to recognize when working with people affected by dementia. ExplainGive an example of potential triggers for behaviors of concern that you have learned to be aware of with a person who you work/have worked with who suffers from dementia. Explain?  List 3 factors that are to be considered when documenting in relation to care or treatment provided to a resident or client. Explain?  Give an example of a self-care strategy you implement in relation to working with people with dementia. Explain?  Explain briefly why it is appropriate to call on the family carers and significant others in helping develop activities for the client. ExplainFinally, provide an example how the theory could be used to improve or evaluate the quality of practice in your specific setting. What rationale can you provide that validates the theory as applicable to the role of the nurse practitioner.  Health Science Science Nursing Share QuestionEmailCopy link Comments (0)

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